This is the same pose as the first drawing, drawn immediately after it, but the model seems to have slumped a bit -- or I got the angles wrong.
Another pose. Lots of linework with a hard pencil and a soft pencil; smudging to create tone; and then lifting out the lights with a putty rubber.
It makes an interesting change to draw a clothed model: there's a suggestion of a story; a reason why the model is there.
Each pencil on paper, approx A3.
