Michael Gage

Still fighting to get collagraph to "work". I managed to stick enough paper and string and card and foil and even leaves to a couple of backing boards to make a landscape.

I experimented with printing the first board in white ink onto coloured paper, the second board in black, and then stencilling a circle for the sun.



It's difficult to get enough ink onto the uneven surface of the collagraph plate; you can see how the density increases with successive prints, but it's possible to have some control over this with careful burnishing.









All: Collagraph on paper, A5.